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Sumi-e ink brushwork of a stooped adult walking on a country road with a small bag over one shoulder, a young figure following

Carpenter Shih was traveling to the state of Qi.

Sumi-e ink brushwork of a single large stylized tree, vast and crooked, with tiny figures at its base for scale

He came upon an oak so vast that thousands could rest in its shade. Its trunk could be measured a hundred spans around.

Sumi-e ink brushwork of two small figures in plain robes, one walking ahead and one following behind, in empty space

The villagers had gathered to admire it. Carpenter Shih walked past without looking.

“Master,” said his apprentice. “I have never seen wood like this. Why didn’t you stop?”Shih did not slow.

Sumi-e ink brushwork of a small wooden boat sitting low in the water, simple rough strokes, no figures

“It is useless. Boats made of it would sink. Coffins would rot quickly. Tools would split. Beams would leak sap. That is why it has lived so long.”

Sumi-e ink brushwork of a single broad tree with soft edges

That night the oak appeared in his dream.

Sumi-e ink brushwork of the great oak with branches stretched outward, ancient and grand

“What you call useless,” said the tree, “has been my refuge. The cherry apple, the pear, the orange, the citron — all are torn apart in their fruiting years. To be useful is to be cut down. I have made myself useless for a very long time. Now, at last, I am of great use to myself.”

無用
wú yònguseless

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The story is told in chapter 4 of the Zhuangzi, 人間世 (Rénjiānshì, “In the Human World”). The chapter is concerned with how a wise person survives in a world that prizes use, status, and visibility.

人皆知有用之用,而莫知無用之用也。

Everyone knows the use of the useful, but no one knows the use of the useless.

The Zhuangzi returns to this image again and again: a tree, a gourd, a deformed man, all that the world left alone because no one could find a use for them. The teaching cautions against making your value the same as your usefulness, because what is useful is consumed.

The phrase 無用之用 (wú yòng zhī yòng, “the use of the useless”) became one of the most-quoted ideas in Daoist thought.